A few days ago, a mutual of mine on Tumblr asked a pretty interesting question: “why do people get uncomfortable with political fanfic?” She went on to point out that “A lot of you love to boast that you love the dirtiest, nastiest smut ever, why can’t you handle someone writing ‘fascism is bad’?”
It reminded me of the time a book marketer told me The Casefile of Jay Moriarty was too political for queer romance readers, and too gay for political thriller readers. As if those two categories were completely mutually exclusive.
Fanfiction and romance fiction have a lot in common, and not just because fanfic tends to have a lot of sex and romance in it. Both are capable of being really really good — like, “permanently alters your brain chemistry, haunts you for the rest of your life” good — but are largely viewed as inherently frivolous. Both mediums are often read, written, and published by people who don’t particularly give a shit (much to the frustration of readers, writers, and publishers who do).
And so, very often, a reader going into a fanfic or romance novel will be doing so with the expectation that these works are low-effort; that the experience they’re about to have won’t make them think or feel anything complicated. When that assumption turns out to be untrue — when the work demands effort on the part of the reader — they respond negatively. It’s the literary equivalent of a pillow princess suddenly being asked to top.
However, just because I understand this viewpoint doesn’t mean I have to respect it. Fuck your comfort, I’m trying to do something interesting out here. To quote Bruce Sterling, “You can get a hell of a lot done in a popular medium just by knocking it off with the bullshit.”
( Read more... )-K